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A judge just offered the clearest breakdown yet of what’s at stake in Anthropic vs. the Pentagon. Read her remarks in full.

On Tuesday, lawyers for Anthropic and the Department of Justice met in a San Francisco courtroom to argue over the AI company’s request to block the Pentagon from labeling it a national security risk.

Before the hearing began, Judge Rita Lin read prepared remarks that broke down the complex case — and what’s at stake — in unusually clear terms. In the process, she ripped into the Pentagon’s action, saying it looks like an effort to “cripple” a company that went public with a contract dispute.

We’re sharing her remarks in full because they get to the heart of a fight that could change the AI landscape. A ruling is expected any day now.

Read what she said in full here:

“Good afternoon to both of you. Yesterday, I disclosed a list of questions that I asked counsel to be prepared to answer today. Before we go down that list, I thought it might be helpful for the attorneys to hear kind of a general overview of my tentative thoughts on the case so far, and you’re welcome to sit down for that if you’d like. Then, I’ll invite you back up to address the questions.

I will say that I do think this case touches on an important debate. On the one hand, Anthropic is saying that its AI product, Claude, is not safe to use for autonomous lethal weapons and domestic mass surveillance. Anthropic’s position is that if the government wants to use its technology, the government has to agree not to use it for those purposes. On the other hand, the Department of War is saying that military commanders have to decide what is safe for its AI to do, not a private company.

It’s a fascinating public policy debate, and it’s not my role to decide who’s right in that debate — that is Secretary Hegseth’s call. The Department of War decides what AI product it wants to use and buy. And everyone, including Anthropic, agrees that the Department of War is free to stop using Claude and look for a more permissive AI vendor.

I don’t see that as being what this case is about. I see the question in this case as being a very different one, which is, whether the government violated the law when it went beyond that.

After Anthropic went public with this contracting dispute, defendants seemed to have a pretty big reaction to that. They took three actions that are the subject of this lawsuit. First, the president announced that every federal agency, not just the Department of War, would immediately ban Anthropic from ever having another government contract. So, that would include the National Endowment for the Arts using Claude to design its website — not allowed.

Second, Secretary Hegseth announced that anyone who wants to do business with the US military has to sever their commercial relationship with Anthropic. So, if a company uses Claude to have a customer service chatbot, now they can’t do any defense work.

Third, the Department of War designated Anthropic as a ‘supply chain risk.’ That label applies to adversaries of the US government who may sabotage its technology systems. It’s typically directed at foreign intelligence, terrorists, or other hostile actors.

What is troubling to me about these three actions is that they don’t really seem to be tailored to the stated national security concern. If the worry is about the integrity of the operational chain of command, DOW could just stop using Claude. It looks like defendants went further than that because they were trying to punish Anthropic.

One of the amicus briefs used the term ‘attempted corporate murder.’ I don’t know if it’s murder, but it looks like an attempt to cripple Anthropic. And specifically, my concern is whether Anthropic is being punished for criticizing the government’s contracting position in the press.

Defendants say they were doing this because Anthropic’s ‘sanctimonious rhetoric’ was an attempt to ‘strong-arm the government.’ DOW’s records say that it designated Anthropic as a supply chain risk because it was ‘hostile in the press.’ So it looks like DOW’s punishing Anthropic for trying to bring public scrutiny to this contracting dispute, which, of course, would be a violation of the First Amendment. So I have a lot of concern about that, and I would like to hear more from the government about that.

I also have a lot of questions about — one, whether Congress gave defendants the authority to do this in the first place, and two, whether defendants violated Anthropic’s due process rights by not giving them notice and an opportunity to respond.

The questions I put out yesterday really go more to those latter two topics. So, I want to start going through those questions, but I will just say that at the end of the questions, I’ll give both parties an opportunity to address the court. You can give me your reaction to the tentative thoughts that I gave you, and you can also just let me know anything else you think is important that I know about the case before I take it under submission.

So let me just invite counsel back up to the podiums, and we’ll just go through the questions.”




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Oscar winners 2026: See the full list

The 2026 Oscars are off to a predictable start at the Dolby Theater in Los Angeles, with Amy Madigan winning the statue for best supporting actress for “Weapons” and “KPop Demon Hunters” winning for best animated feature.

Here’s the full list of nominees with winners in bold.

Best actress in a supporting role


amy madigan as aunt gladys

Amy Madigan in “Weapons.”

Warner Bros. Pictures



Teyana Taylor, “One Battle After Another”

Amy Madigan, “Weapons”

Inga Ibsdotter Lilleaas, “Sentimental Value”

Wunmi Mosaku, “Sinners”

Elle Fanning, “Sentimental Value”

Best animated feature film


Kpop animated movie

“KPop Demon Hunters.”

Netflix



“Arco”

“Elio”

“KPop Demon Hunters”

“Little Amélie or the Character of Rain”

“Zootopia 2”

Best animated short film


a puppet head of a woman resting on the floor with her eyes closed.

“The Girl Who Cried Pearls.”

National Film Board of Canada



“Butterfly”

“Forevergreen”

“The Girl Who Cried Pearls”

“Retirement Plan”

“The Three Sisters”

Best costume design


A woman in a purple blouse, green skirt, and emerald green veil.

Mia Goth as Elizabeth in “Frankenstein.”

Ken Woroner/Netflix



“Avatar: Fire and Ash”

“Frankenstein”

“Hamnet”

“Marty Supreme”

“Sinners”

Best makeup and hairstyling


Frankenstein in a long tattered coat.

Jacob Elordi as The Creature in “Frankenstein.”

Ken Woroner/Netflix



“Frankenstein”

“The Ugly Stepsister”

“Sinners”

“The Smashing Machine”

“Kokuho”

Best casting


Leonardo DiCaprio and Benicio Del Toro in a hallway

“One Battle After Another.”

Warner Bros.



“Hamnet”

“Marty Supreme”

“One Battle After Another”

“The Secret Agent”

“Sinners”

Best live-action short film


A split of an old man at a bar and two women looking in a mirror in black and white.

“The Singers” and “Two People Exchanging Saliva.”

Netflix / The New Yorker



“Butcher’s Stain”

“A Friend of Dorothy”

“Jane Austen’s Period Drama”

“The Singers” – TIE

“Two People Exchanging Saliva” – TIE

Best actor in a supporting role


Sean Penn in police uniform

Sean Penn in “One Battle After Another.”

Warner Bros.



Benicio Del Toro, “One Battle After Another”

Jacob Elordi, “Frankenstein”

Delroy Lindo, “Sinners”

Sean Penn, “One Battle After Another”

Stellan Skarsgård, “Sentimental Value”

Best adapted screenplay


Teyana Taylor and Leonardo DiCaprio between a crying baby in One Battle After Another

“One Battle After Another.”

Warner Bros.



“Bugonia”

“Frankenstein”

“Hamnet”

“One Battle After Another”

“Train Dreams”

Best original screenplay


Michael B. Jordan standing in a bar

Michael B. Jordan in “Sinners.”

Warner Bros.



“Blue Moon”

“It Was Just an Accident”

“Marty Supreme”

“Sentimental Value”

“Sinners”

Best original score

“Sinners”

“One Battle After Another”

“Hamnet”

“Frankenstein”

“Bugonia”


Emma Stone sitting on a bed holding hands with Jesse Plemons in the movie Bugonia

Emma Stone and Jesse Plemons in “Bugonia.”

Focus Features



Best cinematography

“Frankenstein”

“Marty Supreme”

“One Battle After Another”

“Sinners”

“Train Dreams”

Best documentary feature film

“The Alabama Solution”

“Come See Me in the Good Light”

“Cutting Through Rocks”

“Mr. Nobody Against Putin”

“The Perfect Neighbor”

Best documentary short film

“All the Empty Rooms”

“Armed Only With a Camera: The Life and Death of Brent Renaud”

“Children No More: Were and Are Gone”

“The Devil Is Busy”

“Perfectly a Strangeness”


Damson Idris and Brad Pitt in “F1.”

Apple



Best film editing

“F1”

“Marty Supreme”

“One Battle After Another”

“Sentimental Value”

“Sinners”

Best international feature film

“The Secret Agent”

“It Was Just an Accident”

“Sentimental Value”

“Sirat”

“The Voice of Hind Rajab”

Best original song

“Dear Me” from “Diane Warren: Relentless”

“Golden” from “KPop Demon Hunters”

“I Lied to You” from “Sinners”

“Sweet Dreams of Joy” from “Viva Verdi”

“Train Dreams” from “Train Dreams”

Best production design

“Frankenstein”

“Hamnet”

“Marty Supreme”

“One Battle After Another”

“Sinners”


Leonardo DiCaprio holding a gone and a tracker

Leonardo DiCaprio in “One Battle After Another.”

Warner Bros.



Best sound

“F1”

“Frankenstein”

“One Battle After Another”

“Sinners”

“Sirat”

Best visual effects

“Avatar: Fire and Ash”

“F1”

“Jurassic World Rebirth”

“The Lost Bus”

“Sinners”

Best actress in a leading role

Jessie Buckley, “Hamnet”

Rose Byrne, “If I Had Legs I’d Kick You”

Kate Hudson, “Song Sung Blue”

Renate Reinsve, “Sentimental Value”

Emma Stone, “Bugonia”

Best actor in a leading role

Timothée Chalamet, “Marty Supreme”

Leonardo DiCaprio, “One Battle After Another”

Ethan Hawke, “Blue Moon”

Michael B. Jordan, “Sinners”

Wagner Moura, “The Secret Agent”


Michael B Jordan and Ryan Coogler in water

Miles Caton, Michael B. Jordan, and Ryan Coogler on the set of “Sinners.”

Eli Adé/Warner Bros.



Best director

Chloé Zhao, “Hamnet”

Josh Safdie, “Marty Supreme”

Paul Thomas Anderson, “One Battle After Another”

Joachim Trier, “Sentimental Value”

Ryan Coogler, “Sinners”

Best picture

“Bugonia”

“F1”

“Frankenstein”

“Hamnet”

“Marty Supreme”

“One Battle After Another”

“The Secret Agent”

“Sentimental Value”

“Sinners”

“Train Dreams”




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A room full of seniors took on AI — and didn’t blink

Susanna Lau, 70, squinted at her screen, then laughed.

The AI chatbot she was playing with had just generated a dish she described as “an extravagant Hokkien mee,” a Singapore dish of stir-fried noodles in a seafood broth.

Around her, 15 retirees in their 60s and 70s were hunched over laptops, tinkering with AI models and reacting — often out loud — to what they could do.

Asif Saleem, a financial services go-to-market lead for Japan and Asia Pacific at Google, was running the session as a community class in Singapore.

Over four hours, retirees stayed locked in, asking questions, testing prompts, and trying to work out what AI could do for them.

Some came out of fear of being left behind. Others came with doubts. But all were intent on sharpening their skills — proof that learning doesn’t stop with age.

Hands up, questions aplenty

The first hour was spent on teaching them the basics: What AI is, what a large language model is, and how multimodal AI works.

Questions came quickly. Retirees interrupted Saleem to ask about AI videos they had seen on social media, whether those clips could be trusted, and what happens to personal data once it’s fed into a chatbot.


Asif Saleem

Asif Saleem is introducing the tools for the AI workshop in Singapore.

Lee Chong Ming/Business Insider



After fielding their questions, Saleem moved on to teach them prompting. He began with a low-stakes use case: generating images with Google’s Gemini.

The retirees were asked to prompt the AI to design a unique fusion dish, drawing on a hobby many of them already loved.

After generating a Chinese-Japanese fusion dish that looked like “Hokkien Mee,” Lau learned how to prompt the AI to go further. She asked it to generate a full recipe, suggest possible names (“Umami Forest Lo Mien”), and even recommend additional ingredients she could add to elevate the dish.

I asked if she’d try cooking it at home. She paused, then laughed. “I’ll give it some thought.”


Suzannah Lau

Retiree Susanna Lau used AI to generate a Chinese-Japanese fusion noodle dish.

Lee Chong Ming/Business Insider



Another exercise quickly caught on: creating travel postcards.

Retirees prompted the AI to generate images from past trips: a sauna in Japan, a beach in Thailand, and a seaside view in Croatia. They superimposed themselves into the scenes, turning the images into postcards they could send to friends.

Ann Seow, 60, told me she was impressed by AI’s “ability to understand language and create its own interpretative work, like a piece of art.”

AI opens up “immense possibilities” for what people can do in retirement, such as discovering new hobbies, learning new skills, or even starting a business, she added.

Using AI to supercharge work

Next, the class was introduced to NotebookLM, Google’s research and note-taking tool.

At first, I was skeptical about introducing this tool to retirees. NotebookLM is typically pitched as a productivity tool for students, researchers, and office workers.

Saleem quickly showed why that assumption didn’t hold. He taught them how to upload a report to NotebookLM and transform it into a summary — not just text, but also audio, visuals, mind maps, and even presentation slides.

For older people in the room, the appeal was immediate. Instead of straining their eyes over a hundred-page document, they could listen to a spoken summary or grasp key ideas through a visual map.

“How can we know the information is accurate?” one participant asked.

It was a familiar concern. AI systems can hallucinate and sometimes produce inaccurate answers. Saleem acknowledged the risk but pointed out a key difference with NotebookLM: It draws only from the sources the user uploads, rather than the open internet.

Seow was visibly impressed. “That would have saved me so much time when I was working on PowerPoint slides,” she said.

“Work that we used to do manually and take days, now it is done speedily in split seconds for us,” said another retiree, Cindy Ang.

“Looks like there are more plus points to use AI. I was wondering, why do I have to fear AI?” Ang added.


Cindy Ang Retiree

Retiree Cindy Ang said she has learned to embrace AI rather than reject it.

Lee Chong Ming/Business Insider



Engaging AI — on their own terms

For the final segment of the class, the seniors were meant to try vibe coding a simple web app themselves. Time ran out.

Saleem gave a quick demo of how easily one could vibe-code an app using Google AI Studio. In minutes, he built a Lunar New Year app that identified one’s zodiac sign and explained it.

The retirees watched closely. When the app worked, the room broke into excited chatter.

After class, Ang told me she had initially arrived with “some mixed feelings.”

She wanted to master AI skills because she feared she might “become irrelevant.” At the same time, she was wary. “What if AI is out of control?” she said.

By the end of the workshop, she’s convinced that older people “have to engage AI rather than reject it.”

“AI is definitely going to stay. Like it or not, we have to engage it,” she said.

“However, it is important not to be totally reliant on AI, that we forget we have a human brain to use,” she added.


Retiree asking AI questions

Retiree Cindy Ang fired multiple questions at the instructor during the AI class for seniors in Singapore.

Lee Chong Ming/Business Insider



While Seow said she found learning AI useful, she worries the AI era is widening what she calls an “information gap.”

“Seniors did not grow up with smartphones or tablets or digital services, so we may be slower to understand tech concepts,” she explained.

Throughout the session, many furiously scribbled notes as Saleem spoke. They also peppered him with probing questions, rarely accepting explanations at face value.

When I later asked Ang if she might write to me about her reflections, she quipped: “What if I use AI to help me?”




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I inherited a storage unit from a family friend. It was full of vintage clothes, which I now sell online.

This as-told-to essay is based on a conversation with Scottlynn Krause, the co-owner of CS80 Vintage. It has been edited for length and clarity.

My best friend is Hannah, and her grandpa, Franz, owned a sporting goods store in the ’60s, ’70s, and ’80s. When he went out of business, he boxed up his stock, and the unused items sat in a storage unit from 1990 until 2021.

In the summer of 2021, Hannah’s mom called my mom, who is an organizer for hoarders, asking for help with the storage unit. She didn’t know what to do with the stuff, and knew my mom had experience in that realm.

We did not expect to inherit his pristine ’80s sportswear inventory

Hannah and her family said to do what we needed to do to get rid of it and take it off the property. We had 16 days to figure out what to do, because they wanted to list the house. We did not buy the inventory. It was a trade for removing it.

Originally, my mom wanted to turn everything in three months and be done with it. We were not a vintage-loving family back then, but we decided to try to sell it online. At first, it was my mom doing it all, but it was overwhelming. So I jumped in. I had (and still have) a full-time job in retail, so I feel like I see what happens with trends. Vintage had picked up, so it felt right.

The storage unit had thousands of items from well-known brands

It’s really hard to put a number on how many items were in the storage unit. It was 10,000 pairs of shoes, 25,000 hats, 2,500 pairs of baseball pants, all in 1,000 square feet, all from a single store.

The brands Franz had were Nike, Adidas, Puma, Converse, Playboy, Pony, Champion, Wilson, and more. Teams were covered in the NFL, NBA, NHL, and collegiate sports.

It was such a large inventory; we weren’t sure how to tackle it. It’s all been very word-of-mouth. We had our first sale at a flea market in early 2022. We currently sell privately on social media and on our website, which went live in December 2025.

On the website, we do 25 items per drop, and do two drops a week, on Wednesdays and Sundays. It’s first-come, first-served. Not all merchandise is on the website; it’s about a tenth of what we have. So we’re really selective with the drops because everything is so rare and special.

We store our inventory in an off-site warehouse. My mom and I go regularly to pull pieces, and it feels like a discovery every time. We never know what we are going to find. We then bring it to our studio, and I measure, photograph, and upload it to our website. My mom and I print the shipping labels, carefully pack each order, and ship everything ourselves, mostly early in the morning or late at night, squeezed in around our day jobs.

We’ve seen some really amazing items

Most of our items are one-of-a-kind, making them special. We might have one item in multiple sizes, but we don’t have four large sizes of that item, for example. Starter jackets are our most sought-after item. And our sports fans are die-hard, so people are freaking out about certain items. I didn’t grow up during this time period. It’s been so special to see the DMs we get, like “I had this shirt when I was a kid, do you have it?”

We’ve sold unique pieces, like a Run-DMC collection still in its original packaging and a rare pair of 1980s Adidas boxing shoes reminiscent of the Rocky Balboa/Freddie Mercury era. A van load of clothing from our collection was used on set for a “Stranger Things” x Target commercial.

We’ve been having a blast doing it

My mom and dad met in a sporting goods store. He’s a professional volleyball referee. My mom works as an organizer and is a photographer. I work in retail. All the pieces came together for us, giving us this gift. It was like winning the lotto.

Hannah’s family loves watching it happen. I will send her pictures of stuff all the time. They are excited to see that his stuff is moving, going places, and getting a second life.

Our goal is to continue Franz’s legacy by slowly placing these pieces with people who genuinely appreciate the memories, craftsmanship, and spirit of the 1980s. We’re exploring ways to carry that energy forward, too. We eventually want to create our own products using our deadstock blanks to keep the 80s aesthetic and story alive for the new generation.




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The guy who designed the iPhone helped craft the interior of Ferrari’s first EV — and it’s full of physical buttons and knobs

  • Former Apple designer Jony Ive’s firm worked together for five years to fashion the new Ferrari interior.
  • The sports car has tons of physical buttons that Ferrari says enhance “tactility” and reference its legendary racing history.
  • The Italian brand has also unveiled a new name for its EV project: it’s now called the Luce.

Jony Ive designed the iPhone, which famously ditched most of a phone’s physical buttons for virtual ones. His take on the new Ferrari interior shows a very different approach.

Ferrari has spent five years working with LoveFrom, the design studio founded by Ive and fellow Apple design alum Marc Newson, to shape the interior of its first EV, the Luce.

The result is a button-heavy, screen-forward cabin that blends Ferrari’s performance ethos with high-end, Apple-style minimalism.

Ferrari hasn’t released photos of the exterior or a full list of specs, but earlier disclosures suggest the Luce will be a four-door, four-seat electric car capable of reaching 60 mph from a standing start in 2.5 seconds. It’s expected to have a 330-mile range.

The Luce marks Ferrari’s leap into electrification — with an interior wrapped in Ive’s distinctive design language. Here’s what the interior looks like.

A five-year partnership to build a classic racer – but with a battery.

Ferrari’s all-new EV will feature an interior with elements designed by LoveFrom, a creative collective founded by Jony Ive and Marc Newson.

Ferrari

Ferrari — long synonymous with grunting, high-performance racers — is moving into the near-silence of electric power.

To guide that transition, the automaker worked with LoveFrom to refine the interior’s materials, shapes, and controls.

The result looks nothing like most EVs. The Luce’s cabin is lined with tactile hardware — rows of machined-metal toggles and physical switches designed to be clicked, not swiped.

For any curious Apple fans, there are some familiar flourishes: brushed aluminum, slim leather surfaces, and a minimalist layout.

Oh, wow. Buttons on the steering wheel!


A black and silver steering wheel with a yellow Ferrari logo in the middle.

The new Ferrari will have a ton of interior buttons, including on the steering wheel. The company said its focus is on “tactility, clarity, and intuitive interaction.”

Ferrari

The slim, three-spoke steering wheel keeps things simple — starting with directional controls mounted directly on the wheel.

More buttons sit beneath the silver spokes, putting most core functions within thumb’s reach.

On the left are controls for cruise, drive modes, and dash lighting. On the right are power modes, suspension settings, and wipers.

Volume and track controls are tucked behind the wheel, while paddles manage torque delivery, mimicking the engagement of traditional gear changes. Even in an EV, Ferrari wants drivers to feel like they’re choosing their own gears.

An almost Apple-like tablet in the middle — but with knobs and switches.


An overhead shot of the Luce's interior. It shows the driver-focused angle of the infotainment screen and the brown leather seats.

The Luce’s interior features familiar design cues for iPhone users: the infotainment system has curved edges similar to Apple’s products and blends side-mounted physical buttons for added control.

Ferrari

The center infotainment display looks a bit like an oversized Apple Watch. Ferrari’s system comes complete with fan-speed settings, heated-seat controls, and a built-in circular clock.

The tablet-like screen sits on a ball-and-socket joint, allowing it to swivel toward either the driver or the passenger.

Ferrari also says the silver bar below the screen is a palm rest — perfect for drivers to stabilize their hand while switching Spotify playlists in a sharp corner.

Glass all around — and a funky key option.


A small gear selector next to a Ferrari-badged square key.

Ferrari will use high-strength glass to make its gear selector.

Ferrari

Ferrari is leaning heavily into glass for the Luce’s interior, using Corning Gorilla Glass across many hard surfaces — including the gear selector.

The company says the material is more crack-resistant than typical smartphone glass and is designed to withstand scratches from daily use.

There’s also a touch of whimsy in the key fob. The square Ferrari badge is the key: slot it into the console, and the glass fob turns black, disappearing into the surrounding trim.

Pick it up and walk away, and it glows Ferrari’s signature racing yellow.

A helicopter-like speed-reader.


The dashboard with three circular gauges. They all have white and yellow numbers and meters.

Ferrari said its instrument cluster mixed digital interfaces with “historic automotive cues.”

Ferrari

The gauge cluster behind the steering wheel takes inspiration from helicopter cockpits.

Ferrari says the digital display is mounted directly to the steering column, keeping critical high-speed information locked in the driver’s line of sight.

The setup is also a first for Ferrari.

At the center is a hybrid speedometer: a physical needle floating over layered digital driving data, all viewed through a curved lens. While most modern cars have abandoned analog needles entirely, Ferrari kept one — blending old-school driving cues with a fully digital display.

An all-new name for the all-new EV.


A black

Ferrari is changing the name of its all-electric project. The car was initially called the Elettrica, but will now go by the name Luce.

Ferrari

Ferrari first revealed its all-electric project in October 2025 under the working name “Elettrica.” Now, it has an official name: the Luce (pronounced LOO-che).

In Italian, luce translates to “light.”

The next reveal will come in May.


Five men in a yellow room in front of a Ferrari badge. They're all next to design tables with a smattering of interior parts.

Ferrari executives (from left – CEO Benedetto Vigna, Chairman John Elkann, and design chief Flavio Manzoni) partnered with LoveFrom’s design leads, Jony Ive (in blue) and Marc Newson (in red).

Ferrari

The partnership between Ferrari and LoveFrom — first reported in 2021 — resulted in an interior designed to signal the automaker’s ambition to reimagine the electric-car experience from the ground up.

It’s an unusual move for Ferrari, which rarely brings in outside design firms.

“The team focused on perfecting and refining every solution to its purest form,” the automaker said in a press release.

The rest of the car, which was developed in-house, will be revealed in May. Ferrari has not confirmed pricing or availability for the new EV yet.




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Sarah Saril

AC/DC 2026 tour: Full Power Up tour schedule and where to buy tickets

AC/DC — the iconic Australian hard rock band known for thunderous riffs and arena‑shaking performances — is continuing its massive 2026 Power Up Tour, a global trek celebrating the band’s enduring legacy and catalog of classics. Named after their album “Power Up,” the 2026 leg expands the tour with 21 stadium dates across South and North America, starting in São Paulo and running through September 2026 in East Rutherford, New Jersey, at MetLife Stadium.

Formed in 1973 by brothers Angus and Malcolm Young in Sydney AC/DC has become one of the most successful rock acts in history, selling over 200 million albums worldwide and influencing generations with songs like “Back in Black,” “Highway to Hell,” and “Thunderstruck.” The band’s classic lineup evolved over the decades, with standout periods featuring vocalist Brian Johnson, rhythm guitarist Stevie Young, drummer Matt Laug, and bassist Chris Chaney alongside Angus Young’s signature guitar work.

If you’re ready to see the rock legends live in 2026, I’ve broken down the group’s schedule below. Keep scrolling to learn more and head to StubHub or Vivid Seats to lock in your seats.

AC/DC’s 2026 tour schedule

The Power Up Tour will bring AC/DC’s high‑voltage live show to major venues and stadiums in cities such as Charlotte, Columbus, San Antonio, Denver, Las Vegas, Atlanta, Houston, Toronto, and Philadelphia, with tickets available now. Because this is one of the band’s most anticipated tours in years — and AC/DC rarely performs as extensively as they did in past decades — many dates are selling out fast.

  • February 24, 2026 — São Paulo, BR at Estádio MorumBIS
  • March 11, 2026 — Santiago, CL at Parque Estadio Nacional
  • March 15, 2026 — Santiago, CL at Parque Estadio Nacional
  • April 7, 2026 — Mexico City, MX at Estadio GNP Seguros
  • April 11, 2026 — Mexico City, MX at Estadio GNP Seguros
  • July 11, 2026 — Charlotte, NC at Bank of America Stadium
  • July 15, 2026 — Columbus, OH at Ohio Stadium
  • July 19, 2026 — Madison, WI at Camp Randall Stadium
  • July 24, 2026 — San Antonio, TX at Alamodome
  • July 28, 2026 — Denver, CO at Empower Field at Mile High
  • August 1, 2026 — Las Vegas, NV at Allegiant Stadium
  • August 5, 2026 — Santa Clara, CA at Levi’s Stadium
  • August 9, 2026 — Edmonton, AB at Commonwealth Stadium
  • August 13, 2026 — Vancouver, BC at BC Place
  • August 27, 2026 — Atlanta, GA at Mercedes‑Benz Stadium
  • August 31, 2026 — Houston, TX at NRG Stadium
  • September 4, 2026 — South Bend, IN at Notre Dame Stadium
  • September 8, 2026 — Saint Louis, MO at The Dome at America’s Center
  • September 12, 2026 — Montreal, QC at Parc Jean Drapeau
  • September 16, 2026 — Toronto, ON at Rogers Stadium
  • September 25, 2026 — East Rutherford, NJ at MetLife Stadium
  • September 29, 2026 — Philadelphia, PA at Lincoln Financial Field

Browse AC/DC tickets on StubHub and Vivid Seats.

How much are AC/DC tickets?

If you missed the original AC/DC ticket on the primary market, resale platforms like Vivid Seats and StubHub are likely where you’ll find seats for the Power Up Tour 2026 — but prices can vary widely based on venue, demand, and how close you want to be to the action. On Vivid Seats, the cheapest resale options for stadium shows often start at $90 to $115, giving fans on a budget a chance to catch classics like “Back in Black” and “Highway to Hell” live. These lower‑priced tickets are usually in upper levels or less sought‑after sections, ideal if you’re happy with a broader view of the stage.

At the other end of the spectrum, premium seats and closer views can push prices substantially higher as demand picks up — especially for dates in major markets like Toronto, Montreal, and Las Vegas. On StubHub, resale listings in those desirable areas can climb into the several hundreds of dollars for floor or lower‑bowl seats, and VIP options or meet‑and‑greet packages (when available) may cost even more. Throughout the cycle, both StubHub’s FanProtect Guarantee and Vivid Seats’ 100% Buyer Guarantee give shoppers confidence that their purchase is legitimate and will arrive in time for the show — a key consideration when buying resale tickets.


See also: Is StubHub legit? | Iron Maiden tickets | Bon Jovi tickets | No Doubt tickets | Eagles tickets | Lollapalooza tickets | Yungblud tickets

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Disclosure: Written and researched by the Insider Reviews team. We highlight products and services you might find interesting. If you buy them, we may get a small share of the revenue from the sale from our partners. We may receive products free of charge from manufacturers to test. This does not drive our decision as to whether or not a product is featured or recommended. We operate independently from our advertising team. We welcome your feedback. Email us at reviews@businessinsider.com.




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Sarah Saril

Yungblud 2026 tour: Full schedule, cities, and where to buy tickets

British rocker Yungblud (real name Dominic Harrison) is continuing his global Idols — The World Tour in 2026, bringing his high‑energy punk‑infused rock to arenas and outdoor venues across North America, Europe, and beyond. The tour kicks off its North American run on May 1, 2026, in Sterling Heights, Michigan, and includes stops in cities like Toronto, Columbus, Seattle, Las Vegas, Orlando, Hollywood (FL) at Hard Rock Live, Charlotte, Boston, New York, Atlanta, and more before fans take the tour overseas later in the summer and fall.

Yungblud first emerged in the late 2010s as a lightning rod in rock and alternative scenes, blending punk attitude with pop sensibility and lyrical themes of youth rebellion, identity, and emotional honesty. In 2025, he released the album Idols, collaborated with Aerosmith on the One More Time EP, and performed at legendary events, including Ozzy Osbourne’s farewell concert, solidifying his reputation as one of rock’s most exciting modern voices.

The Idols tour marks a major milestone in Yungblud’s career, showcasing his evolution as an artist and his ability to headline major venues worldwide — all while maintaining the raw energy and fan engagement that first brought him attention. Find available seats on StubHub and Vivid Seats.

Yungblud’s 2026 tour schedule

Tickets for Yungblud’s 2026 tour are available on secondary resale sites such as StubHub and Vivid Seats — though pricing can vary widely with demand, venue size, and proximity to the date. Fans are encouraged to compare listings across platforms and act early, as many shows on this world tour are expected to sell out quickly thanks to Yungblud’s passionate following.

  • May 1, 2026 — Sterling Heights, MI at Michigan Lottery Amphitheatre at Freedom Hill
  • May 2, 2026 — Toronto, ON at Coca‑Cola Coliseum
  • May 4, 2026 — Columbus, OH at KEMBA Live!
  • May 6, 2026 — Cincinnati, OH at The Andrew J Brady Music Center
  • May 7, 2026 — Indianapolis, IN at Everwise Amphitheater at White River State Park
  • May 9, 2026 — Minneapolis, MN at The Armory
  • May 11, 2026 — Morrison, CO at Red Rocks Amphitheatre
  • May 13, 2026 — Orem, UT at UCCU Center
  • May 15, 2026 — Seattle, WA at WAMU Theater
  • May 16, 2026 — Portland, OR at Theater of the Clouds at Moda Center
  • May 19, 2026 — Las Vegas, NV at PH Live at Planet Hollywood
  • May 20, 2026 — San Diego, CA at The Rady Shell at Jacobs Park
  • May 22, 2026 — Los Angeles, CA at The Greek Theatre
  • May 25, 2026 — Phoenix, AZ at Arizona Financial Theatre
  • May 28, 2026 — Irving, TX at The Pavilion at Toyota Music Factory
  • May 29, 2026 — Austin, TX at Moody Amphitheater
  • June 1, 2026 — Orlando, FL at Addition Financial Arena
  • June 2, 2026 — Hollywood, FL at Hard Rock Live at Seminole Hard Rock Hotel & Casino
  • June 4, 2026 — Charlotte, NC at Skyla Credit Union Amphitheatre
  • June 6, 2026 — Atlantic City, NJ at Hard Rock Live at Etess Arena
  • June 7, 2026 — Washington, DC at The Anthem
  • June 9, 2026 — Boston, MA at Leader Bank Pavilion
  • June 10, 2026 — New York, NY at Radio City Music Hall
  • June 13, 2026 — Atlanta, GA at Synovus Bank Amphitheater at Chastain Park

Browse Yungblud tickets on StubHub and Vivid Seats.

How much are Yungblud tickets?

If you’re looking to catch Yungblud’s Idols — The World Tour live, resale ticket sites like StubHub and Vivid Seats are go‑to spots when primary tickets sell out — and the good news is there’s a pretty wide range of prices for fans on different budgets to find something. Over on Vivid Seats, you’ll see some of the cheapest resale tickets starting around the high‑$60s for 2026 shows, making it one of the more affordable ways to get in the door if you’re willing to sit farther back or grab general admission.

StubHub also has plenty of listings, with budget‑friendly seats typically starting in the low‑to‑mid‑$100s and rising from there for better views. Some premium listings — especially floor seats, front‑section options, or VIP packages — can climb into the several hundred-dollar range, depending on how hot a particular city or date is.

Both StubHub and Vivid Seats back their sales with buyer protections (StubHub’s FanProtect Guarantee and Vivid Seats’ delivery guarantee), so you’re generally buying from a legitimate, verified marketplace rather than risking shady or invalid tickets — just be mindful that resale prices often run above face value as demand grows closer to showtime.


See more: Is StubHub legit? | Linkin Park tickets | Eagles tickets | Bon Jovi tickets | Journey tickets | Rush tickets | AC/DC tickets

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Disclosure: Written and researched by the Insider Reviews team. We highlight products and services you might find interesting. If you buy them, we may get a small share of the revenue from the sale from our partners. We may receive products free of charge from manufacturers to test. This does not drive our decision as to whether or not a product is featured or recommended. We operate independently from our advertising team. We welcome your feedback. Email us at reviews@businessinsider.com.




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Sarah Saril

BTS 2026-2027 world tour: Full schedule and where to buy tickets

After nearly four years away from full‑group performances due to South Korea’s mandatory military service, BTS is returning in a big way with a massive 2026-2027 world tour — their first major global trek since 2022. The tour will span five continents, with more than 70 shows across Asia, North and South America, Europe, and Australia, beginning in April 2026 in Goyang, South Korea, and extending into March 2027, featuring stadium dates and festival appearances around the globe. Keep reading to learn how to get BTS tickets for their sold-out shows.

BTS debuted in 2013 under Big Hit Music with seven members: RM, Jin, Suga, J‑Hope, Jimin, V, and Jung Kook. The group quickly rose to international prominence with a blend of hip‑hop, pop, R&B, EDM, deeply personal lyrics, and energetic choreography. BTS shattered global records with hits like Dynamite, Butter, and Boy With Luv, and became known for their positive messages around self‑love and mental health. Their devoted fan base, known as ARMY, has helped BTS become one of the highest‑earning and most-streamed artists worldwide.

The 2026 tour not only marks BTS’ long‑awaited return to large‑scale touring as a complete group but also supports their upcoming new album, scheduled for release in March 2026. With an ambitious schedule covering dozens of major cities and multiple shows per stop, this world tour is shaping up to be one of the most significant live music events of the decade. Keep reading to see the group’s schedule and head to StubHub and Vivid Seats to secure your seats.

BTS’ 2026-2027 world tour schedule

Tickets for BTS’ world tour are being released in phases, with official presales for ARMY (the fan club) starting in January, followed by general sale.. ARMY members are encouraged to register on Weverse before the presale deadline to receive early access codes, and general sales typically begin shortly after, in many regions beginning January 24, 2026. Demand is expected to be extremely high, especially in major markets such as Los Angeles, Tampa, Mexico City, Chicago, and Tokyo, so securing tickets early is critical.

  • April 9, 2026 — Goyang, South Korea at Goyang Stadium
  • April 11, 2026 — Goyang, South Korea at Goyang Stadium
  • April 12, 2026 — Goyang, South Korea at Goyang Stadium
  • April 17, 2026 — Tokyo, Japan at Tokyo Dome
  • April 18, 2026 — Tokyo, Japan at Tokyo Dome
  • April 25, 2026 — Tampa, FL at Raymond James Stadium
  • April 26, 2026 — Tampa, FL at Raymond James Stadium
  • May 2, 2026 — El Paso, TX at Sun Bowl Stadium
  • May 3, 2026 — El Paso, TX at Sun Bowl Stadium
  • May 7, 2026 — Mexico City, Mexico at Estadio GNP Seguros
  • May 9, 2026 — Mexico City, Mexico at Estadio GNP Seguros
  • May 10, 2026 — Mexico City, Mexico at Estadio GNP Seguros
  • May 16, 2026 — Stanford, CA at Stanford Stadium
  • May 17, 2026 — Stanford, CA at Stanford Stadium
  • May 23, 2026 — Las Vegas, NV at Allegiant Stadium
  • May 24, 2026 — Las Vegas, NV at Allegiant Stadium
  • May 27, 2026 — Las Vegas, NV at Allegiant Stadium
  • June 12, 2026 — Busan, South Korea
  • June 13, 2026 — Busan, South Korea
  • June 26, 2026 — Madrid, Spain at Riyadh Air Metropolitano
  • June 27, 2026 — Madrid, Spain at Riyadh Air Metropolitano
  • July 1, 2026 — Brussels, Belgium at King Baudouin Stadium
  • July 2, 2026 — Brussels, Belgium at King Baudouin Stadium
  • July 6, 2026 — London, UK at Tottenham Hotspur Stadium
  • July 7, 2026 — London, UK at Tottenham Hotspur Stadium
  • July 11, 2026 — Munich, Germany at Allianz Arena
  • July 12, 2026 — Munich, Germany at Allianz Arena
  • July 17, 2026 — Paris, France at Stade de France
  • July 18, 2026 — Paris, France at Stade de France
  • August 1, 2026 — East Rutherford, NJ at MetLife Stadium
  • August 2, 2026 — East Rutherford, NJ at MetLife Stadium
  • August 5, 2026 — Foxborough, MA at Gillette Stadium
  • August 6, 2026 — Foxborough, MA at Gillette Stadium
  • August 10, 2026 — Baltimore, MD at M&T Bank Stadium
  • August 11, 2026 — Baltimore, MD at M&T Bank Stadium
  • August 15, 2026 — Arlington, TX at AT&T Stadium
  • August 16, 2026 — Arlington, TX at AT&T Stadium
  • August 22, 2026 — Toronto, ON at Rogers Stadium
  • August 23, 2026 — Toronto, ON at Rogers Stadium
  • August 27, 2026 — Chicago, IL at Soldier Field
  • August 28, 2026 — Chicago, IL at Soldier Field
  • September 1, 2026 — Los Angeles, CA at SoFi Stadium
  • September 2, 2026 — Los Angeles, CA at SoFi Stadium
  • September 5, 2026 — Los Angeles, CA at SoFi Stadium
  • September 6, 2026 — Los Angeles, CA at SoFi Stadium

Browse BTS tickets on StubHub and Vivid Seats.

How much are BTS tickets?

If you’re eyeing resale tickets for BTS’ 2026 and 2027 World Tour, StubHub and Vivid Seats are two of the most popular places fans turn when primary sales sell out. On Vivid Seats, current listings for BTS concerts show a wide pricing spectrum, with more affordable seats often starting in the $600‑plus range for upper‑level sections at stadium shows, while premium floor or VIP packages can climb significantly higher depending on demand and location. These prices reflect both the immense global popularity of BTS and the fierce competition among buyers looking for seats to the World Tour.

StubHub similarly offers a range of resale options and, very importantly, provides a FanProtect Guarantee that helps ensure tickets are legitimate and will be delivered in time for the event or replaced if problems arise. While resale costs can run well above face value (sometimes into the thousands for premium listings), StubHub’s buyer protections make it one of the more trusted resale platforms among concertgoers; many fans use it specifically for large tours where official inventory is limited.


See more: Is StubHub legit? | Bruno Mars tickets | PinkPantheress tickets | Ariana Grande tickets | Twice tickets | Cardi B tickets

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You can purchase logo and accolade licensing to this story here.

Disclosure: Written and researched by the Insider Reviews team. We highlight products and services you might find interesting. If you buy them, we may get a small share of the revenue from the sale from our partners. We may receive products free of charge from manufacturers to test. This does not drive our decision as to whether or not a product is featured or recommended. We operate independently from our advertising team. We welcome your feedback. Email us at reviews@businessinsider.com.




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