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30 classic movies and TV shows that Netflix would own as part of its Warner Bros. deal

  • Netflix is set to acquire Warner Bros. in a $72 billion deal for its streaming and studios business.
  • That means the streamer would own a slew of classic movies and TV shows from the WBD catalog.
  • Titles that would be owned by Netflix include “Casablanca,” “Friends,” and the “Harry Potter” franchise.

In a deal that is sure to disrupt Hollywood, Netflix is buying Warner Bros. for $72 billion.

In the deal, the streaming giant would acquire WB’s over 100-year vault of beloved film and TV titles.

That means that not only would current hits like “Sinners” and “One Battle After Another” be owned by Netflix, but so would classic movies like “Casablanca” and “The Matrix,” as well as beloved TV shows like “Friends” and “The Wire.”

Below are 30 Warner Bros. movies and TV shows that are set to become Netflix titles.

“Curb Your Enthusiasm”

Larry David in “Curb Your Enthusiasm.”

Courtesy of HBO

This series focuses on a fictionalized version of Larry David, the retired co-creator of “Seinfeld,” and his daily life in Los Angeles. The semi-improvised comedy series spotlights David’s irritability and cringeworthy social interactions, and helped turn its star into a cultural archetype of petty annoyances.

“Euphoria”


Zendaya as Rue in a first-look image for season three of

Zendaya in “Euphoria.”

HBO

This teen drama follows Rue, played by Zendaya, and her small circle of peers as they struggle with addiction, sexuality, and mental illness. The show’s maximalist aesthetic inspired glittery makeup trends that took over corners of TikTok. The show’s third season is set to air in April.

“Friends”


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“Friends.”

NBC

One of the most iconic sitcoms of all time, “Friends” follows a group of six friends — and lovers, and siblings — living in New York City during their early adulthood.

“Game of Thrones”


game of thrones pilot

Sean Bean in “Game of Thrones.”

HBO

The fantasy drama based on George R. R. Martin’s novel series is known for its plot twists and intricate world-building. Not only did it create a global fan base and help bring adult fantasy to the fore, but the show’s popularity also created real-world travel trends to filming locations, including Croatia.

“Gilmore Girls”


gilmore girls fall

Lauren Graham and Alexis Bledel in “Gilmore Girls.”

The WB

A classic, if not the classic, television portrayal of a mother-daughter relationship, this series follows Lorelai (Lauren Graham) and Rory Gilmore’s (Alexis Bledel) lives in the sleepy town of Stars Hollow, Connecticut. Known for its witty dialogue, seemingly infinite references to coffee, and reliable boy drama, it remains a favorite comfort show among original fans and younger viewers.

“Gossip Girl”


Gossip Girl cast leaning against a railing

“Gossip Girl.”

Warner Bros.

This 2000s drama follows a group of ultrawealthy private-school students in New York City as they move through champagne-filled parties, messy relationships, and college applications. All the while, the anonymous blogger, Gossip Girl, dishes out secrets in the background. The show helped launch stars like Blake Lively and a generation of aspirational New Yorkers.

“Pretty Little Liars”


Pretty Little Liars

“Pretty Little Liars.”

ABC Family / Freeform

“Pretty Little Liars” follows four high school girls reeling from the disappearance and assumed death of their friend group’s former queen bee. The girls are being stalked by “A,” someone who seems to know every one of their secrets, past and present. Full of familial and romantic drama, the show created a loyal online fandom who traded theories about A on social media in the 2010s.

“Rick and Morty”


Rick and Morty.

“Rick and Morty.”

Adult Swim

In its eighth season and still going strong, this adult animated science-fiction comedy follows the brilliant alcoholic scientist Rick Sanchez and his anxious teenage grandson, Morty Smith, as they navigate multiple universes and their own familial relationships. The show is also relevant beyond the big screen, showing up often in memes.

“Sex and the City”


carrie bradshaw sex and the city

Sarah Jessica Parker in “Sex and the City.”

HBO

This HBO series follows four women in New York City figuring out careers, romance, and friendship. It centers on newspaper columnist Carrie Bradshaw (Sarah Jessica Parker), whose voiceovers dot most episodes. The show is also considered a staple of fashion history, and Carrie herself became a style icon.

“The Sopranos”


James Gandolfini as Tony on

James Gandolfini in “The Sopranos.”

HBO

Few shows are considered as impactful as “The Sopranos,” which follows New Jersey mob boss Tony Soprano (James Gandolfini) through therapy sessions, the management of a sprawling criminal enterprise, and his chaotic relationships. At once depressing and hilarious, it is credited with demonstrating that television can be as artistically complex and ambitious as film.

“Succession”


Jeremy Strong, Sarah Snook, and Kieran Culkin on season four of

Jeremy Strong, Sarah Snook, and Kieran Culkin in “Succession.”

Claudette Barius/HBO

This series follows the Roys as the four adult children scramble for control of the family’s media empire. The comedy-drama offers an unflinching portrait of the ultrawealthy, what people will do for power, and familial dysfunction.

“Veep”


julia louis-dreyfus in veep

Julia Louis-Dreyfus in “Veep.”

HBO

This political satire stars Julia Louis-Dreyfus as a self-centered and power-hungry vice president. “Veep” tracked real-world politics’ slide into the increasingly absurd and was a favorite among DC insiders.

“The West Wing”


The cast of

“The West Wing.”

NBCU

Created and written by Aaron Sorkin, “The West Wing” chronicles the drama of the White House’s senior staff. It follows the president, chief of staff, communications director, and others through both national and personal crises. The show premiered in 1999 and won 26 Emmys.

“The White Lotus”


Jennifer Coolidge with white wine

Jennifer Coolidge in “The White Lotus.”

HBO

Since its first season premiered in 2021, Mike White’s vacation anthology series “The White Lotus” has developed a cult following. Each season of the dark comedy-drama takes place at a different luxury resort around the world, and follows wealthy hotel guests and employees over the course of a week leading up to a death. The show often boasts big stars, like Jennifer Coolidge, Michael Imperioli, and Parker Posey.

“The Wire”


Michael B. Jordan (left) alongside Tray Chaney, Larry Gilliard Jr, and JD Williams in “The Wire.”

HBO

This crime drama set in Baltimore follows a wide cast of characters and explores city bureaucracy. Each season focuses on a different topic, from the drug trade to the school system.

“2001: A Space Odyssey”


“2001: A Space Odyssey.”

Metro-Goldwyn-Mayer

Stanley Kubrick’s space epic pushed the limits of visual effects, resulting in one of the most groundbreaking works ever put on the big screen. Kubrick’s other classics — “A Clockwork Orange,” “Barry Lyndon,” “The Shining,” and “Full Metal Jacket” — were also made at Warner Bros.

“Blade Runner”


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Sean Young and Harrison Ford in “Blade Runner.”

Warner Bros.

Ridley Scott’s trippy tale starring Harrison Ford as a detective in search of synthetic humans in a futuristic Los Angeles has inspired countless other sci-fi stories.

“Casablanca”


Casablanca Warner Bros

Claude Rains, Humphrey Bogart, and Ingrid Bergman in “Casablanca.”

Warner Bros.

With an all-star cast made up of Humphrey Bogart, Ingrid Bergman, Peter Lorrie, Claude Rains, and Sydney Greenstreet, this drama set against the backdrop of World War II is regarded as one of the greatest love stories ever put on screen. It also features not one but two famous movie lines: “Here’s looking at you, kid,” and, “Louis, I think this is the beginning of a beautiful friendship.”

“Citizen Kane”


Charles Foster Kane (Orson Welles) makes a stirring campaign speech before a larger-than-life portrait of himself in a scene from Citizen Kane.

Orson Welles in “Citizen Kane.”

Warner Bros.

Orson Welles became a sensation in Hollywood when he wrote, produced, directed, and starred in this movie about the life and times of fictional newspaper tycoon Charles Foster Kane. The movie’s non-linear storytelling and unique camera angles inspired countless filmmakers in the decades since; many regard it as one of the greatest movies ever made.

“The Exorcist”


The Exorcist

“The Exorcist.”

Warner Bros.

Before “Jaws” or “Star Wars” became blockbusters, this was the movie audiences lined up around the block to see. William Friedkin’s supernatural horror about a young girl (Linda Blair) possessed by the devil became a box office sensation and the first-ever horror movie to be nominated for a best picture Oscar.

“Gone with the Wind”


Gone With The Wind

Clark Gable and Vivien Leigh in “Gone With The Wind.”

Loew’s Inc.

This best picture-winning epic set in the South during the Civil War made icons out of Vivien Leigh as the strong-willed Scarlett O’Hara and Clark Gable as the dashing Rhett Butler. The two would be immortalized in movie lore thanks to the famous line delivered by Gable to Leigh, “Frankly, my dear, I don’t give a damn.”

“Goodfellas”


Goodfellas

Joe Pesci and Ray Liotta in “Goodfellas.”

Warner Bros.

Martin Scorsese’s beloved gangster movie is highlighted by powerful performances from Ray Liotta, Robert De Niro, and Joe Pesci, who play based-on-real-life despicable mob wiseguys who cause mayhem from the 1950s to the 1980s.

“The Goonies”


sean astin the goonies

Sean Astin in “The Goonies.”

Warner Bros. Pictures

Under the watchful eye of Steven Spielberg, who came up with the story, director Richard Donner’s classic follows a group of teens who set out on a treasure-hunting adventure to save the small neighborhood they live in from foreclosure.

“The Matrix”


Keanu Reeves as Neo blocking bullets in The Matrix

Keanu Reeves in “The Matrix.”

Warner Bros.

Starring Keanu Reeves as a man who awakens from what he realizes is a simulated reality, “The Matrix” features action sequences and never-before-seen CGI effects that redefined the action movie genre overnight.

“Rebel Without a Cause”


rebel without a cause james dean

James Dean in “Rebel Without a Cause.”

Warner Bros.

Nicholas Ray’s groundbreaking work didn’t just successfully tap into teenage life, it also turned its star, James Dean, into a matinee idol.

“The Searchers”


John Wayne standing in a doorway holding his arm

John Wayne in “The Searchers.”

Warner Bros.

Warner Bros. is responsible for one of the greatest Westerns ever made. In this essential John Ford movie, John Wayne plays a Civil War veteran who spends years looking for his abducted niece (Natalie Wood). Along with its powerful performances, the film’s lush vistas of Western terrain have stood the test of time.

“The Shawshank Redemption”


tim robbins and morgan freeman in the shawshank redemption

Tim Robbins and Morgan Freeman in “The Shawshank Redemption.”

Columbia Pictures

Based on a Stephen King novella, “The Shawshank Redemption” stars Tim Robbins as banker Andy Dufresne, who is sentenced to life for the murder of his wife, though he’s actually innocent. In his two decades at Shawshank Penitentiary, Dufresne befriends an inmate (Morgan Freeman), launches a money laundering scheme with the warden, and plans a daring escape.

The “Harry Potter” franchise


ron weasley, harry potter, and hermione granger

“Harry Potter and the Goblet of Fire.”

Warner Bros. Pictures

All the titles from the beloved fantasy franchise will soon belong to Netflix. Presumably, so will HBO’s upcoming Harry Potter TV series.

“The Lord of the Rings” franchise


lord of the rings gollum new line cinema

“Lord of the Rings: The Return of the King.”

New Line Cinema

So will Peter Jackson’s trilogy of films based on J.R.R. Tolkien’s masterwork.

Any version of Batman ever made


Michael Keaton with Batman symbol behind him

Michael Keaton as Bruce Wayne.

Warner Bros.

Batman has been a cash cow for Warner Bros. all the way back to when Michael Keaton put on the cape in 1989. Whether it’s Keaton, Christian Bale, or Robert Pattinson, Netflix will soon be home to whatever version of the Dark Knight you’re a fan of — not to mention Superman and any other DC Comics character.




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Read the memo Warner Bros. Discovery sent employees after Netflix won the bidding war for its key assets

  • Netflix agreed to purchase Warner Bros. in a $72 billion deal.
  • Netflix will buy HBO Max and the Warner Bros. studio, but not WBD’s TV networks like CNN and TNT.
  • Here is the memo Warner Bros. Discovery CEO David Zaslav sent to employees.

Netflix is buying Warner Bros. Discovery’s studio and streaming businesses in a seismic $72 billion deal that promises to shake up Hollywood.

The Netflix-WBD tie-up, which the companies announced on Friday morning, would be the industry’s largest since Disney bought 21st Century Fox for $71 billion in 2019. Netflix is planning to buy HBO Max and the top-performing Warner Bros. studio, but not WBD’s TV networks like CNN, TNT, and TBS.

Netflix must first secure regulatory approval from the US and foreign governments, which some media analysts say could be a challenge. If all goes as planned, the deal is set to close in 12 to 18 months, the companies said.

Netflix beat out Paramount Skydance and Comcast in a bidding war.

Since Netflix is only buying the Warner Bros. studio and HBO Max, the remaining TV assets that are seen as less valuable will be spun out, as WBD originally planned. WBD was formed in April 2022 after a merger between AT&T’s WarnerMedia and Discovery.

“In the coming days, we will establish an Integration Office, which will coordinate all planning with Netflix, consistent with regulatory requirements,” WBD CEO David Zaslav wrote in a note to employees on Friday. “Until the transaction closes, WBD and Netflix remain separate companies. It may be tempting to reach out directly to counterparts or former colleagues at Netflix, but it is essential that all interactions are managed through this office to ensure we meet every legal and regulatory obligation.”

Here’s the full memo that Zaslav sent employees on Friday morning:

This communication has been sent to everyone at WBD.
Team,
The Board of Directors of Warner Bros. Discovery (WBD) approved a transaction under which Warner Bros. will be acquired by Netflix, subject to regulatory approvals and closing conditions, including the completion of the separation of Discovery Global from WBD.
As part of the structure, the Global Networks business will form a new standalone company, Discovery Global, with Gunnar Wiedenfels to serve as CEO once the new company separates from WBD, now expected to be completed in Q3 2026.
This decision reflects the realities of an industry undergoing generational change – in how stories are financed, produced, distributed, and discovered – and recognizes the strong, transformed company we are today, the significant value we have created, and the resilience and attractiveness that now position us in a rapidly evolving marketplace. Over the past several months, the Board evaluated a full set of strategic paths. Their conclusion is that this structure – Warner Bros. joining Netflix, and Discovery Global becoming a focused standalone company – provides the strongest long-term foundation for both sets of businesses.
As outlined in the announcement, the proposed combination of Warner Bros. and Netflix reflects complementary strengths, more choice and value for consumers, a stronger entertainment industry, increased opportunity for creative talent, and long-term value creation for shareholders.
I know this announcement creates many questions about what’s next. For some, it brings clarity about direction. For others, it raises questions about what this means for their teams and their work. All of those reactions are understandable. A transaction of this nature naturally creates uncertainty, and not all answers will be available immediately. Some will be clarified in the coming days and weeks; others depend on regulatory processes and on work that cannot begin until separation or closing.
People across WBD have navigated extraordinary change over the last three years, while building a company with real creative, journalistic, and commercial strength. That deserves to be acknowledged plainly.
What we can say now, based on the direction set out today, is that this structure provides a clearer path forward for Warner Bros. within Netflix, and for Discovery Global as a standalone company. For both, the goal is to position their creative work, talent, and brands to navigate a market that is constantly evolving and increasingly global.
What happens now
Later today, we will hold a Global Town Hall to walk through what we know and what is still to be determined. Calendar invites will follow shortly after this email.
Business Unit leaders will hold discussions specific to their areas in the coming days, so you can hear directly from your leader.
Managers will also come together early next week so they have the context and support they need to guide their teams through the early stages of this transition.
What happens next
The path toward a separation of WBD into Warner Bros. and Discovery Global will shift. We will redirect work tied to the earlier, planned two-company operating model and focus instead on the steps required to enable this transaction.
In the coming days, we will establish an Integration Office, which will coordinate all planning with Netflix, consistent with regulatory requirements. Until the transaction closes, WBD and Netflix remain separate companies. It may be tempting to reach out directly to counterparts or former colleagues at Netflix, but it is essential that all interactions are managed through this office to ensure we meet every legal and regulatory obligation.
What this means for you
We also recognize that many people are looking for more clarity about what to focus on, how to prioritize work, and what this means for their teams. Those details will become clearer over the next several weeks, as we move toward our 2026 goal-setting and operating plan alignment processes.
As part of that, you will hear guidance from your Business Unit and functional leaders early in the new year, with expectations and priorities anchored to what we know at that point in the regulatory process.
In the meantime, please continue to focus on the work needed to wrap up 2025, support year-end deliverables, and take the opportunity to rest and recharge over the holidays.
We will continue to communicate regularly, and new information will be shared in One Insider and on the One website. And we will see you later today at the Global Town Hall.
As we move through this next chapter, our aim is simple: handle decisions with care, communicate clearly about what we know, and make sure people have the information and support they need at each step.
I know moments like this carry weight. And they can also mark the beginning of new possibilities. The work you bring to this company – and the way you have shown up for one another – has built something that others clearly see value in. That matters. And while I cannot predict every step ahead, I am confident in the strength of our brands, in the talent of our teams, and in the stories, journalism, and experiences we will continue to bring to audiences around the world.
David




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A Ferrari and over 480 takeout orders: FBI details spending spree of Netflix director in $11 million fraud case

In March of 2020, Netflix infused $11 million into a production company to complete the first season of “White Horse,” a futuristic sci-fi series it hoped to bring to its platform.

Carl Rinsch — the director, writer, and showrunner of “White Horse” — never finished the 12 episodes he was supposed to deliver.

But a short time after he got the cash, Rinsch spent millions of dollars on furniture, cars, credit card bills —  and a whole lot of takeout.

According to testimony at his criminal trial on Thursday, Rinsch spent a total of $9.14 million through a personal bank account with funds originally earmarked to finish “White Horse,” which had the production codename “Conquest.”

The spending included more than 480 food deliveries from Postmates and Uber Eats during a six-month span in 2022, according to a spreadsheet entered into evidence. The spreadsheet showed Rinsch sometimes making a dozen separate food purchases each day.

The most expensive category, FBI agent Michael Naccarelli testified, was for furniture, for which Rinsch spent $3.36 million.

Rinsch also spent $2.4 million on cars — including a Ferrari and Rolls-Royces — and $1.8 million on American Express bills, according to Naccarelli. He also spent money on hotels, jewelry, and art, Naccarelli said.

“Rinsch described the Ferrari as “a birthday gift to myself” in a 2021 text message to his personal assistant, which was shown to jurors later Thursday.

Attorneys for Rinsch told jurors at his trial in Manhattan federal court that the “White Horse” debacle is a civil business dispute — not criminal financial fraud.

They say Rinsch, who previously directed “47 Ronin,” starring Keanu Reeves, is a “creative genius” who was overwhelmed by the demands of directing, writing, and producing “White Horse” and left to flounder by the streaming company.

Days after Netflix sent $11 million to a bank account for Rinsch’s production company, he moved $10.5 million to a personal Wells Fargo bank account, according to Naccarelli and records entered into trial evidence.

The director then moved portions of the funds to a Kraken cryptocurrency exchange account, as well as other bank accounts, before ultimately transferring $13.7 million to a personal Bank of America account.

With his Kraken account, Rinsch purchased about a dozen different cryptocurrencies, including Dogecoin, Etherium, Bitcoin Cash, and the stablecoin Tether, trial records show.

In April 2022, Rinsch’s Dogecoin holdings were worth about $755,000, and his Etherium tokens about $939,000, according to Naccarelli.

While a financial advisor previously testified in the trial that Rinsch’s stock investments went badly, Naccarelli said the director’s cryptocurrency investments were profitable.

“The trades performed very well,” Naccarelli said as Rinsch — wearing a three-piece black suit and a patterned pink tie and matching pocket square — nodded slightly.

Allen Grove, an FBI agent who testified after Naccarelli, said Rinsch considered himself a major Dogecoin trader when they met in April 2023 regarding a dispute over one of Rinsch’s furniture purchases in Paris.

“Mr. Rinsch described to me that he became wealthy during the pandemic by investing in Dogecoin,” Grove testified. “He described himself to me as ‘The Dogecoin Whale.'”

Rinsch said in an earlier deposition, which was shown to jurors on Thursday, that his purchases of four Rolls-Royces were meant for the production of “White Horse,” and not for personal use. Netflix wrote off the production as a loss in 2020.

“That would be fraud otherwise,” Rinsch said in the deposition.




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Jury hears how Netflix director lost a fortune on options trades — days after streamer sent him $11M for ‘visionary’ show

Director Carl Eric Rinsch made so many failed, seven-figure option bets after Netflix wired him $11 million that his broker at Wells Fargo tried — and failed — to stop him, a New York fraud jury heard on Tuesday.

“I can afford to lose the money,” Rinsch said, according to testimony by his former Wells Fargo advisor, Ronald See.

And when the brokerage hit the brakes — limiting him to $250,000 per transaction — the show developer was undaunted.

On March 30, 2019, just three weeks after receiving the $11 million, Rinsch instructed See, of Wells Fargo Advisors, to wire his remaining $8.5 million to Citibank so he could establish a new brokerage account with Charles Schwab.

“They won’t put restrictions on me there,” Rinsch wrote See in a letter shown to jurors.

Rinsch, 48, is on trial in federal court in Manhattan, fighting charges that he had no right to use the $11 million Netflix sent him on anything other than “White Horse,” the 120-minute TV series he’d already spent $44 million of Netflix’s money on. (Rinsch ultimately never finished a single episode of the clones-versus-humans sci-fi thriller.)

Defense lawyers counter that the $11 million was actually Rinsch’s contractually-promised payment for having completed principal photography, and was his money to spend as he pleased.

Either way, testimony on Tuesday by two of Rinsch’s former financial advisors showed that he was eager to spend the cash prosecutors say the director had quickly moved into his Wells Fargo account.

The streamer wired Rinsch the $11 million on March 6, 2020, as the COVID-19 pandemic halted film production worldwide.

Over the next three weeks, he then lost some $5.8 million, almost all of it on highly risky options trades involving Gilead Sciences, which was developing COVID-19 treatment drugs. (See would earn a $22,000 fee on these losses, the defense pointed out on cross-examination.)

The director was off to the races again as soon as he switched to Charles Schwab, according to testimony.

“I could send $3 mm personal to get started,” he wrote to his new financial advisor, Adam Checchi, who also testified on Tuesday.

“I understood that to mean three million from his personal funds,” Checchi said under questioning by a federal prosecutor.

Checchi told jurors that Rinsch would soon lose almost $6 million more, mostly on failed, highly risky bets that Gilead’s stock would rise and that the S&P 500 would decline.

“I’m not a broad, diversify kind of guy,” Rinsch explained in a late March 2020 email, adding that he pursues “aggressive” option trading “fully expecting to lose it all.”

Earlier in the day, former Netflix executive Peter Friedlander, who on Monday called Rinch’s project “visionary,” completed a second day of testimony.

On overhead screens, defense attorney Benjamin Zeman showed Friedlander — and the jury — emails from August 2019, in which Rinsch begged for “immediate support” with casting in Brazil.

“Show is set to collapse,” Rinsch wrote.

The defense is blaming the implosion of White Horse on Netflix’s decision to pull support for the project in September 2020.

In the email chain projected throughout the courtroom on Tuesday, Zeman attempted to show jurors that a year earlier, Friedlander was already cold toward the show developer’s requests for help.

“His own delays in decisions have caused this,” Friedlander wrote in forwarding Rinsch’s email to Mike Posey, an original series vice president, and others, including production executive Shelley Stevens and Rahul Bansal, an original series director.

Rinsch would continue asking for support — and money — for another six months before Netflix forwarded the $11 million payment at the center of the trial. The project was ultimately written off by Netflix as a tax loss eight months later, in November 2020.

Rinsch’s trial is expected to continue through next week. He faces up to 90 years in prison if convicted of wire fraud, money laundering, and engaging in unlawful monetary transactions.




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The 10 best movies to stream on Netflix in December

  • Movies like “Pulp Fiction,” “The Wolf of Wall Street,” and “Mean Girls” are coming to Netflix in December.
  • So are new releases like “Wake Up Dead Man” and “Jay Kelly.”
  • A four-part docuseries on Sean “Diddy” Combs also hits Netflix in December.

This month on Netflix, some hotly anticipated original movies are hitting the streamer, including the latest installment in the “Knives Out” franchise, “Wake Up Dead Man,” and the drama “Jay Kelly,” starring Adam Sandler and George Clooney.

Classic movies like “The Wolf of Wall Street,” “Mean Girls,” and “Pulp Fiction,” are also available. Keep reading for the 10 best movies coming to Netflix in December.

“Pulp Fiction” (December 1)

John Travolta and Samuel L. Jackson in “Pulp Fiction.”

Miramax

Quentin Tarantino’s foul-mouthed, ultra-violent landmark work brought 1990s indie film to new heights and led to countless copycats.

“Pulp Fiction” features thrilling vignettes filled with unique characters and storylines, including a boxer (Bruce Willis) determined to get a family heirloom, a couple (Tim Roth, Amanda Plummer) holding up a diner, and the outlandish day of two hitmen (John Travolta, Samuel L. Jackson).

“Stripes” (December 1)


Bill Murray pointing in Stripes movie

Bill Murray in “Stripes.”

Columbia Pictures

This comedy classic stars Bill Murray and Harold Ramis as two slackers who join the Army. But instead of shaping up, their antics lead to lots of laughs.

“The Wolf of Wall Street” (December 1)


the wolf of wall street

Leonardo DiCaprio in “The Wolf of Wall Street.”

Paramount Pictures

Leonardo DiCaprio and Martin Scorsese team up for this entertaining biopic on the rise and fall of Wall Street trader and financial criminal Jordan Belfort. Jonah Hill delivers a hilarious performance as Belfort’s best friend, while the movie marks Margot Robbie’s breakout performance as Belfort’s wife.

“Sean Combs: The Reckoning” (December 2)


Sean

Sean “Diddy” Combs.


ANGELA WEISS/AFP via Getty Images


This four-part docuseries executive-produced by 50 Cent dissects the life and career of Sean “Diddy” Combs. It also chronicles the fall of the hip-hop icon and features never-before-seen footage of Diddy in the days before his arrest.

“Mean Girls” (December 4)


Lindsay Lohan, Amanda Seyfried, Lacey Chabert, and Rachel McAdams in

Lindsay Lohan, Amanda Seyfried, Lacey Chabert, and Rachel McAdams in “Mean Girls.”

Paramount Pictures

Lindsay Lohan plays a new girl in high school who must learn to navigate different social cliques in this 2004 classic. The movie also launched the careers of costars Rachel McAdams (who also starred in “The Notebook” that same year) and Amanda Seyfried. The 2024 musical version is also available.

“Jay Kelly” (December 5)


Adam Sandler and George Clooney sitting in a movie theater in Jay Kelly movie

Adam Sandler and George Clooney in “Jay Kelly.”

Netflix

Noah Baumbach’s latest movie stars George Clooney as a famous actor who reflects on his life and career with his manager (Adam Sandler) as they travel through Europe.

“Babylon” (December 7)


Margot Robbie as Nellie LaRoy and Diego Calva as Manny Torres in

Margot Robbie and Diego Calva in “Babylon.”

Scott Garfield/Paramount

Damien Chazelle’s ambitious look at old Hollywood chronicles the biz in the 1920s and the stars who lost it all with the advent of the talkies. Margot Robbie and Brad Pitt star.

“Wake Up Dead Man: A Knives Out Mystery” (December 12)


Josh O'Connor and Daniel Craig inside a car in the movie Wake Up Dead Man

Josh O’Connor and Daniel Craig in “Wake Up Dead Man.”

Netflix

Rian Johnson’s latest tale in the “Knives Out” franchise features private detective Benoit Blanc (Daniel Craig) trying to uncover the murder of a priest (Josh Brolin). The all-star cast includes Josh O’Connor, Glenn Close, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Thomas Haden Church, and Jeffrey Wright.

“Goodbye June” (December 24)


Kate Winslet holding Helen Mirren's hand in a hospital bed in Goodbye June

Helen Mirren and Kate Winslet in “Goodbye June.”

Netflix

Kate Winslet’s directorial debucenters around four siblings whose lives change when their ailing mother takes a turn for the worse over the holiday season. The movie stars Winslet, Toni Collette, Andrea Riseborough, and Helen Mirren.

“Sleeping with Other People” (December 31)


Sleeping with other people

Alison Brie and Jason Sudeikis in “Sleeping with Other People.”

IFC Films

In one of the best rom-coms you’ve never seen, Alison Brie and Jason Sudeikis play two people with major commitment issues who try to stay in the friend zone but end up falling for each other.




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The woman who says she’s the real-life version of Martha on ‘Baby Reindeer’ just sued Netflix for $170 million

Fiona Harvey, the woman who says she’s the real version of the semi-fictionalized stalker on Netflix hit “Baby Reindeer,” is suing the streaming giant.

Harvey, a 58-year-old Scot, filed a lawsuit on Thursday in California, seeking more than $170 million and a jury trial. She’s suing over defamation and intentional affliction of emotional distress, among other points.

She did not sue creator and star Richard Gadd, who plays a fictional version of himself called Donny Dunn. “Baby Reindeer” is based on his experiences with being stalked by a woman earlier in his career, when he was trying to make it as a comedian.

In the complaint, Harvey’s lawyers said the show was a “brutal lie” that brought her unwanted attention, including death threats.

“Netflix and Gadd destroyed her reputation, her character and her life,” the attorneys wrote.

On- and off-screen, Netflix has repeatedly said “Baby Reindeer” is a true story.

“We intend to defend this matter vigorously and to stand by Richard Gadd’s right to tell his story,” a Netflix spokesperson told Business Insider.

The company has not yet filed a response to the lawsuit.

The real Martha Scott

As the show picked up viewers, armchair sleuths raced to find the “real” stalker, named Martha Scott in the show, and the man who Gadd said abused him.

In late April, Gadd asked fans not to speculate about who the real people were behind the show’s characters. He told GQ he disguised the stalker’s identity in the show.

“What’s been borrowed is an emotional truth, not a fact-by-fact profile of someone,” Gadd said.

In the lawsuit, Harvey said she was identified days after the show’s April debut. Her attorneys said people found a public 2014 tweet she sent to Gadd that used a phrase repeated in the show.

Harvey’s court filing outlined similarities between the stalker character and herself: a Scottish woman about 20 years older than Gadd living in London, with similar appearance and speaking patterns. Both the character and Harvey were accused of stalking a lawyer. It’s unclear if that reference is to an old colleague of Harvey’s, who told BI on Thursday that Harvey harassed her from 1997 to 2002.

But unlike the fictional Martha Scott, Harvey said she is not a convicted stalker, nor has she pled guilty to any crime. Her complaint said Netflix did not check any facts central to the show, including that the stalker sexually assaulted Gadd. She said she did not have any sexual encounters with the comedian.

In an interview with Piers Morgan in early May, Harvey said that while she may have emailed Gadd, it was nowhere near the 40,000 messages he said the stalker sent him. She denied harassing Gadd and said she knew him from when she was bartending in London.


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